Recently I was lucky enough to get the opportunity to travel to Bucharest, Romania, for work. The trip was so that I could attend an art and design education fair and to talk at a couple of high schools about our courses. This was my first such recruitment trip abroad, and I’m told you often only get to see a city from a car window and in the evening before flying back the next day. Thankfully though, because of the timings of our itinerary, I managed to get a little time to myself to wander the city and soak up Bucharest’s visual culture.
This was my first visit to Eastern Europe, and one, given the timing of the trip, that was over-shadowed by Brexit. Our host, locals and delegates from other countries all had an opinion, with none of them positive. The majority of Romanians I spoke to about it, (and Romania isn’t a country afraid of change, it could be argued), all thought Britain was putting itself in a ridiculous position.
One of the things that struck me about Bucharest from the outset, was that it is a country that is happy to wear its history on its sleeve—it is there in plain sight for everyone to see. Our hotel was very close to Revolution Square, the site of the uprising that saw Nicolae Ceaușescu toppled from power nearly 30 years ago.
Monuments to these tumultuous times have seen better days, and the local anarchists appear to show little respect for those that lost their lives fighting against the dictator. Some locals said the current government is the most corrupt in 100 years, so it appears a struggle continues. Given we were a week away from national celebrations of 100 years of independence for Romania, this is some claim given their more recent history.
In October last year I wrote about the visual identity for Hull City of Culture 2017. I’d mostly only ever heard negative things about the city but vowed to go there this year after seeing this deliberately attention grabbing piece of branding. Claire and I duly booked our summer holiday in the beautiful Lincolnshire Wolds for last week so that we could take a day out in Yorkshire, and Hull did not disappoint.
Crossing the Humber Bridge on the day its Grade 1 listing was announced, the Museum Quarter made for our first destination on reaching Hull, with the Streetlife Museum dramatically depicting the town’s everyday history. Time limited, we then veered towards the Fruitmarket ‘cultural quarter’ that friends had recommended, via some fine brutalist structures.
Today I visited the Design Museum in its new Kensington home. Primarily going to see the Design of the Year 2016 show with students, being a big fan of the museum, I was also keen to see how the relocation from Shad Thames had been managed.
There is much in the move to the former Commonwealth Institute building that is impressive. It is an incredible site and there is real drama as you enter the huge atrium and look up at the stunning roof. This drama only expands as you move on up through the floors.
As I expected, the Design of the Year show is excellent, with some truly inspirational work on display. The exhibition benefits from the larger space with a better flow around the exhibits giving more time to linger and read each project’s background. Equally, it was good to see the collection on display under the title: Designer Maker User. I was particularly impressed with the 3 screen film that critically questioned design’s role in climate change while putting forward different views on what is to do about this dilemma. This, I felt, was the museum taking seriously criticisms that can be levelled against many sectors of design.
I completed another Graphic Commons walk this week, and I chose a location I’m not overly familiar with: Lowestoft—the Easternmost point in Britain. Like other Graphic Commons posts here, this serves as an immediate document of my drift, and the photos, (only crudely edited at this stage), will feed into a write-up of the walk I plan to do soon. The writing that accompanies the photos will form a key part of any final outcome, but for now I won’t be posting what I write on Field Readings as that aspect is very much a work in progress.
Walk duration: 2.7 miles
Steps taken: 6,077
Start time: 09:17 (train from Ipswich)
Ground covered: Town centre and side streets onto a main road that divides the town from port. Then on to the Ness, the most Easterly point, and back into town via an industrial area and what is known locally as a ‘score’—a narrow alleyway.
Turn right down Bishopsgate, cross the road and go down Bevis Marks until you reach St Mary’s Axe. So started many walks with graphic design students from Liverpool Street Station to the Design Museum, always accompanied by a lecture on architecture . I initially learnt the route from a colleague of mine, (thanks Lindsey), which I then honed over the years. And it is a great shame that I won’t be taking this journey with students again, for last week, the Design Museum shut its Shad Thames doors as it relocates to Kensington.