I think my iPhone hates me, it has recently been swapping the album artwork of one band for another.
This is very much a first world problem, I know. But it does feel very personal. My phone, for all its ‘smartness’, must know how important graphic design and music are to me. I use the Music app everyday of the week to listen to new and old sounds on my walk to work. I post and read about graphic design on many social media apps and blogs I follow just as often. My phone won’t know that it was album sleeves that got me into graphic design in the first place, but there are obvious clues. So forgive me if I feel aggrieved.
Today sees the last copy of The Guardian in its Berliner format.
What is about to follow will be known by those that come to this blog post after Monday 15 January 2018, when the new look Guardian is launched. But for now, only the new masthead has been revealed in a video teaser.
The teaser, and its corresponding print campaign, demonstrates some interesting references to John Stezaker covering found photographs with white squares, (and Jonathan Barnbrook’s subsequent ‘borrowing’ of this for David Bowie’s The Next Day), see Field Readings’ post Graphic obscura.
I don’t know whether people still produce fanzines or not, but Kek-W is so tired of writing online that he has decided to produce one. Or rather, as he calls it, an analogue blog.
Titled Kid Shirt, this is basically a physically constructed fanzine involving actual cut and paste, which has then been scanned as a PDF for anyone to download. He sets out his rationale in the first pages: