There is an irony to the fact that four days after the Can Graphic Design Save Your Life? exhibition opened at the Wellcome Collection, the biennial Defence and Security Equipment International (DSEI) arms fair kicked off at the ExCeL centre in London’s Docklands.
Today I visited the Design Museum in its new Kensington home. Primarily going to see the Design of the Year 2016 show with students, being a big fan of the museum, I was also keen to see how the relocation from Shad Thames had been managed.
There is much in the move to the former Commonwealth Institute building that is impressive. It is an incredible site and there is real drama as you enter the huge atrium and look up at the stunning roof. This drama only expands as you move on up through the floors.
I’ve just written a review of the excellent Gee Vaucher exhibition, Introspective, at Colchester’s Firstsite gallery for Eye Magazine’s blog. Read it here.
Turn right down Bishopsgate, cross the road and go down Bevis Marks until you reach St Mary’s Axe. So started many walks with graphic design students from Liverpool Street Station to the Design Museum, always accompanied by a lecture on architecture . I initially learnt the route from a colleague of mine, (thanks Lindsey), which I then honed over the years. And it is a great shame that I won’t be taking this journey with students again, for last week, the Design Museum shut its Shad Thames doors as it relocates to Kensington.
PhotoEast, Suffolk’s first festival of photography was launched this week in Ipswich and can claim to be a major success, even within its first few days of existence. The half-mile walk along Ipswich’s waterfront from DanceEast to Cult Cafe brings dramatic images from around the world to this small Suffolk town. Local history and Ipswich life are presented alongside contemporary photography as part of the fabric of the waterside architecture. There is even a projection room inside a shipping container at the far end of the marina.
In my teens in the 1980s, as I was becoming politically aware and active, (going on CND demonstrations and reading radical publications), it is difficult for me not to be very familiar with the work of Peter Kennard. I think I must have held several of his images in my hands as placards and certainly stuck some of his photomontages on my bedroom wall torn from pages in lefty rags. When I heard he was having a retrospective at the Imperial War Museum, titled Unofficial War Artist, I debated whether I should go or not, thinking that I knew what I would get and worried about it being an exercise in personal nostalgia. It wasn’t until I read Art-e-facts’ review of her several visits to the show that I decided to go, and without a shadow of a doubt it blew me away, (no pun intended).
Last week The Cabinet of Curiosities caravan pulled up outside University Campus Suffolk to coincide with an exhibition of the same project in UCS’s Waterfront Gallery.
This visit and exhibition is the culmination of a year long project by UCS Fine Art Senior Lecturer Jane Watt. Jane and her bright blue caravan have visited various locations, and in particular many around Cambridge throughout the Autumn of 2014, providing an opportunity for people to come and document curiosities via cyanotypes. “At each location my assistant Amy Sage and I went through the same ritual: paper ready, aprons on, lights on,” says Jane. “The blue door is opened, the sign put outside inviting people to ‘Bring in your curious object’. Each venue brought many new visitors with unexpected objects and related unique tales.”