Shadow cabinet

Caravan

Last week The Cabinet of Curiosities caravan pulled up outside University Campus Suffolk to coincide with an exhibition of the same project in UCS’s Waterfront Gallery.

This visit and exhibition is the culmination of a year long project by UCS Fine Art Senior Lecturer Jane Watt. Jane and her bright blue caravan have visited various locations, and in particular many around Cambridge throughout the Autumn of 2014, providing an opportunity for people to come and document curiosities via cyanotypes. “At each location my assistant Amy Sage and I went through the same ritual: paper ready, aprons on, lights on,” says Jane. “The blue door is opened, the sign put outside inviting people to ‘Bring in your curious object’. Each venue brought many new visitors with unexpected objects and related unique tales.”

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Secret seven

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A large corner of my loft is stacked with vinyl records, mostly 12″ LPs, but there is a smaller pile of 7″ singles. They are going to stay there, save for the odd time I want to change the artwork in my three album-art frames that deck our landing. It is fair to say I haven’t jumped on the supposed vinyl revival—there’s already enough nostalgia in the world, I don’t need any more.

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Ditchling Museum of Art+Craft

I’d read about Ditchling Museum of Art+Craft on the Design Week blog last year when it reopened after being refurbished. It made the design press largely because of the rebranding by Phil Baines, in which he re-drew Gill Sans for all accompanying graphics. In truth, what Baines had done more than help advise on the dressing of the museum was to shine a light on an important historical design gem. And when I realised we wouldn’t be too far away while holidaying on the Kent / East Sussex boarder last week, it went on the itinerary of possible things to do. But rather than visit after going to the Chermayeff exhibition in Bexhill on our return journey home, we decided to go on a separate day, worried that two exhibitions in one day would be too much.

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A people’s (graphic) history

People Power installation by Stephan Charnook

A highlight of a recent trip to Manchester was a visit to the People’s History Museum. Housed in a specially converted pump-house, the museum hosts an amazing visual display of artefacts relating to political history of ordinary people in this country, with an obvious bent towards Manchester related events and organisations, from the Peterloo Massacre to celebrating 150 years of the Co-op.

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Someday…

Someday All The Adults Will Die: Punk Graphics 1971–1984, opened at the Hayward Gallery last week.

Crass stencil

To coincide with the opening private view, curator Johan Kugelberg hosted a panel discussion of some key designers involved in early punk graphics, along with cyberpunk author William Gibson. Apologising for co-curator Jon Savage’s absence—who was very punk by being on holiday with his mum—Kugelberg introduced Gee Vaucher, who created all the graphics that surrounded Crass‘ musical output, Tony Drayton of Ripped & Torn fanzine fame, and John Holmstrom, the man behind the American Punk magazine.

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