After fog stopped two previous attempts at more walks for my Graphic Commons project, I finally managed to get out again today. Thankfully, despite weather reports of fog in this region, Ipswich seemed to be unaffected.
The project has moved on somewhat since I did the Easternmost onshore drift walk, as I have now categorised many of my photographs from my previous dérives. As Graphic Commons develops, it has turned into themed observations of different categories I have identified within graphic design, with each forming the focus for separate chapters in a bigger book I am planning; the overarching context being how graphic design inserts itself into our everyday shared environments.
Today’s walk was primarily in search of convenience stores on the peripheries of Ipswich town centre as I’ve become interested in vinyl graphics and the product shots that adorn these ‘little and often’ shops’ windows, and how these crude and often very similar graphics affect the ambience of a location. As with my previous posts about these drifts, I’m logging some of these photographs here as a record of the walk rather than as any finished outcome.
Walk duration: 4.6 miles
Steps taken: 10,639
Start time: 08:15
Ground covered: Town centre peripheries
I completed another Graphic Commons walk this week, and I chose a location I’m not overly familiar with: Lowestoft—the Easternmost point in Britain. Like other Graphic Commons posts here, this serves as an immediate document of my drift, and the photos, (only crudely edited at this stage), will feed into a write-up of the walk I plan to do soon. The writing that accompanies the photos will form a key part of any final outcome, but for now I won’t be posting what I write on Field Readings as that aspect is very much a work in progress.
Walk duration: 2.7 miles
Steps taken: 6,077
Start time: 09:17 (train from Ipswich)
Ground covered: Town centre and side streets onto a main road that divides the town from port. Then on to the Ness, the most Easterly point, and back into town via an industrial area and what is known locally as a ‘score’—a narrow alleyway.
Continuing my research into our Graphic Commons and how graphic design inserts itself into shared environments, this morning I set out on a traverse around Ipswich town centre, deliberately avoiding its main thoroughfares. I was very much keeping to its peripheries.
The photos I took will feed into later writings for this ongoing project, but for now, I’m posting a small selection here to capture the moment.
Walk duration: 4.8 miles
Steps taken: 11,055
Start time: 07:37
Espresso stop: 08:45
Ground covered: Streets surrounding Ipswich’s working port, then skirting its town centre on little-used back streets and cut-throughs. On to an edge of town eatery and entertainment complex/car park, before returning via main roads that feed into Ipswich town centre.
Graphic Interruptions is a photographic project that investigates graphic design in shared environments that has been interrupted in some way. These interruptions can come in many forms and be the result of a variety of sources. What interests me in these observations is how meaning may be changed from that intended by the hand of the originator. This essay, first published in May 2016 as an introduction to a limited edition book of research photographs, sets out to explore the contexts behind the project.
Graphic Interruptions is an ongoing project: for updates follow the @graphic_interruptions Instagram feed or the hashtag #graphicinterruptions on Twitter.
Graphic Interruptions: the essay
As a graphic design educator, practitioner and academic it is difficult for me not to notice items of visual communication that I am surrounded by on a daily basis, especially given the ubiquity of graphic design in our society. Such a broad statement could demand a list of examples to qualify it, but to provide one would make this an endless essay. If proof is needed, a quick glance around your current location should provide many examples of informational or persuasive messages trying to communicate something through the use of type and / or image. Whether these are produced by a creative design studio or by an untutored hand on a home computer, numerous graphic communications insert themselves in to our lives in a pervasive manner.