Continuing my research into our Graphic Commons and how graphic design inserts itself into shared environments, this morning I set out on a traverse around Ipswich town centre, deliberately avoiding its main thoroughfares. I was very much keeping to its peripheries.
The photos I took will feed into later writings for this ongoing project, but for now, I’m posting a small selection here to capture the moment.
Walk duration: 4.8 miles
Steps taken: 11,055
Start time: 07:37
Espresso stop: 08:45
Ground covered: Streets surrounding Ipswich’s working port, then skirting its town centre on little-used back streets and cut-throughs. On to an edge of town eatery and entertainment complex/car park, before returning via main roads that feed into Ipswich town centre.
On recent wanderings I have become fascinated with village noticeboards. They may appear quaint, twee and from another age, but for some, I suspect they provide a lifeline. Whether that be a line to God, a window cleaner or a community bus service, this is how some people find out stuff that matters to them and the quality of their life. Rural internet poverty is a real issue in this country, just as financial poverty also keeps many disconnected from an internet most of us take for granted. Marry the two and you have a demographic who are being forcibly divorced from contemporary society as more and more services cut their print budgets and concentrate information delivery online.
Graphic Interruptions is a photographic project that investigates graphic design in shared environments that has been interrupted in some way. These interruptions can come in many forms and be the result of a variety of sources. What interests me in these observations is how meaning may be changed from that intended by the hand of the originator. This essay, first published in May 2016 as an introduction to a limited edition book of research photographs, sets out to explore the contexts behind the project.
Graphic Interruptions is an ongoing project; follow the hashtag #graphicinterruptions on Instagram or Twitter.
Graphic Interruptions: the essay
As a graphic design educator, practitioner and academic it is difficult for me not to notice items of visual communication that I am surrounded by on a daily basis, especially given the ubiquity of graphic design in our society. Such a broad statement could demand a list of examples to qualify it, but to provide one would make this an endless essay. If proof is needed, a quick glance around your current location should provide many examples of informational or persuasive messages trying to communicate something through the use of type and / or image. Whether these are produced by a creative design studio or by an untutored hand on a home computer, numerous graphic communications insert themselves in to our lives in a pervasive manner.